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Ann Arbor Probation Essay Example | Topics and Well Written Essays - 500 words

Ann Arbor Probation - Essay Example Because of this division being a state organization it reports legitimately to the representative and...

Wednesday, January 29, 2020

John Brown DBQ Essay Example for Free

John Brown DBQ Essay John Browns Raid in the South led to an explosion of passion and ultimately the secession of the south. Many radical abolitionists in the North felt that John Browns actions were Justified and that he was a hero. These radical abolitionists maximized the damage caused by him and his followers and created an almost godly figure out of him. Not all Northern Republicans saw him as a hero, but rather as a terrorist and a convict. Southern slave holders and normal men alike were astounded, frightened, and infuriated by John Browns raid on Harpers Ferry. These two radically opposing iews clashed together and caused the succession of the South. Radical Abolitionists supported John Browns actions immensely and applauded his drive to free the slaves from the grasps of the slaveholders. Many of these strict abolitionists also believed that he was a hero, divinely appointed by God. This shows how much they revered him and how justified they believed his actions to be. In Document C, the Topeka Tribune explains that all Republicans revered him, just in different amounts. It explains that one class of Republicans thought that he was a hero and a philanthropist. The other class pretended not to approve of John Brown but really did respect him. When John Brown was executed for treason against the state of Vlrglnla, many northern abolltlonlsts were sent Into a rage. Even though he was dead, his spirit and Ideals still Inspired and affected many abolltlonlsts, as seen In Document G. This song explains that even though his body is buried and decomposing underground, his soul still marches on. As you can see, many radical abolitionists revered, respected and approved of John Browns raid on Harpers Ferry, which directly opposed the Souths view. Secondly, not all Northern Republicans saw him as a hero, but rather as a terrorist and a convict of the state. Many Northern citizens, although sympathetic to slaves, did not approve of John Browns actions and thought that he was insane and morally wrong. This view was the majority of the Northern Republicans and showed that Radical abolitionists were maximizing the damage that John Brown Inflicted on the south. In document A, Horace Greely explains that although he wishes that all slaves were able to run away from their slaveholders and never be recaptured, he did not approve of what John Brown did. This shows that he was an abolitionist, but not a very radical one like the ones in the before mentioned paragraph. He clearly states in the document that he did not support what John Brown did in the south which was the ideas of many Northerners. Document D, consists of reviews of a book about the Life of John Brown. Most of the reviews talk about how radically abolitionist the book is and how biased it is. This shows that the majority of the North did not support the doings of John Brown and that it was a small minority of whites that maximized the event. All of these events show that even hough it could be perceived that the North was overwhelmingly supportive of the doings of John Browns Raid on Harpers Ferry. Lastly, southern slave holders and normal men alike were astounded, frightened, and Infuriated by John Brown. The events caused by John Brown eventually caused the breakdown and eventual split In the Democratic Party. Popular sovereignty was created to cool tempers In both the North and the South but ultimately ended in the split in the Democratic Party. The order to be able to better protect themselves, they strengthened state militias and armies. This prepared them for the eventual war with the Union and it also supplied more confidence in the southerners. In the trial of John Brown, he was asked a series of questions. One of the comments given by a bystander was To set them free would sacrifice the life of every man in this community. John Brown responded with, l do not think so. l know it, I think you are fanatical. The bystander then responded with, And I think you are fanatical. Whom are gods would destroy they first make mad, and you are mad. l This series of questions and answers shows the general consensus of the South, that he was a fanatical, crazy man. As you can see, all of these things combined caused a massive amount of pressure to be put on the ties between the North and the South which consequently caused the succession of the South. In conclusion, all of the tensions built up caused by John Browns Raid on Harpers Ferry and the Trial of John Brown caused the decline in relations between the North and the South and the final succession of the South. The Northern radical abolitionists enlarged the event and made the southerners enraged by the raid on Harpers Ferry. The southerners were astounded, frightened, and infuriated. These emotions clashed and destroyed the Union.

Tuesday, January 21, 2020

Longitudes and Attitudes, by Thomas Friedman :: September 11th Essays

  Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Longitudes and Attitudes†, written by Thomas Friedman, is a collection of columns, broken by September 11th’s great catastrophe and including material from his diary. The book displays his outstanding strengths as a commentator along with a few weaknesses.   Ã‚  Ã‚  Ã‚  Ã‚  Ã¢â‚¬Å"Longitudes and Attitudes† is a collection of his more recent columns and a diary of supporting incidents. It relates to the theme that has consumed him in his career. This theme is given point by Israeli-Palestinian conflict and the attack of 9/11.   Ã‚  Ã‚  Ã‚  Ã‚  Born in Minneapolis, Minnesota, Tom Friedman went to work as a journalist in Beirut, Lebanon soon after securing a masters degree from Oxford University in Middle Eastern Studies. Employed by United Press International in 1978, he soon transferred to the New York Times and covered the Syrian destruction of that country’s own town of Hama, the Israeli Lebanese invasion, the massacre of Palestinians in refugee camps, the evacuation of the Palestinian Liberation Organization, etc. In 1995, he became the foreign affairs columnist for the New York Times with carte blanche--unlimited travel budget and no supervision as to content. He has written two books and collected three Pulitzer Prizes.   Ã‚  Ã‚  Ã‚  Ã‚  In his current job, Friedman writes a 740-word column twice a week. It appears in many of the world’s newspapers and on the Web. This latest book, Longitudes and Attitudes, is a compendium of his more recent columns and a diary of supporting incidents. The text relates to the theme that has consumed him in his career: the failure of the Arab nation to develop, democratize, and compete properly with the West. This theme is given point by the Israeli-Palestinian conflict and the attack of 9/11.   Ã‚  Ã‚  Ã‚  Ã‚  Friedman’s ideas are presented primarily through many columns that he had written for he New York Times. Their datelines stretch from December 15, 2000 to April 20, 2003 and from Jerusalem, Israel to Peshawar, Pakistan.   Ã‚  Ã‚  Ã‚  Ã‚  In this book, Friedman presents a coherent picture of forces in the Middle East that have led to the Israeli- Palestinian confrontation and to bin Laden and his group of terrorists. Friedman’s articles describe meetings, discussions, and arguments he had with people at all levels of society through out the Middle East. From his extensive travels and through dynamic interactions with the people he derived intense insights into how 9/11 came about, why, and what should be done about it.   Ã‚  Ã‚  Ã‚  Ã‚  His arguments and conclusions are well thought through, so much that they draw opponents to reason with him.

Monday, January 13, 2020

Harlem Renaissance Essay

I. Introduction The Atlantic slave trade caused the large movement of Africans across different parts of the world largely in the Americas, Europe, and Asia. This African Diaspora brought about eleven million of black people in the New World (P. Larson. â€Å"Reconsidering Trauma, Identity, and the African Diaspora: Enslavement and Historical Memory in Nineteenth-Century Highland Madagascar†). The descendants of those that were brought in the Americas, chiefly those in the United States working as slaves in the south, later experienced another diaspora: moving from the south to the north to escape the hardships brought about by intense racial discrimination. A large portion had settled in the city of Harlem, New York City which opened up a surge of excellent creative works done by blacks and became in vogue for some time. This period came to be known as the Harlem Renaissance, also variously known as the New Negro Movement, or the New Negro Renaissance. This was a period of outstanding creativity expressed in visual arts, writings, and music during this large movement of black population, wherein the African-American Diaspora has moved into larger cities. It changed the character of black American artworks, from conventional imitations of white artists to sophisticated explorations and expressions of black life and culture that revealed and stimulated a new confidence and racial pride. The movement centered in the vast black ghetto of Harlem, in New York City, thus the name of the movement. Harlem became the place of gathering for aspiring black artists, writers, and musicians, sharing their experiences and providing mutual encouragement for one another. The term Harlem â€Å"Renaissance† is a misnomer. If measured by quantity alone, it was more a birth than a â€Å"rebirth†, for never before had so many black Americans produced so much literary, artistic, and scholarly material at the same time. If measured by quality, however, it was actually a continuum, the quickening of a lively stream fed earlier by the important works of poet Paul Laurence Dunbar, novelist and short story writer Charles W. Chestnutt, poet and novelist Hames Weldon Johnson and the essays of Du Bois. The Harlem Renaissance created a significant breakthrough, wherein it marked the first time wherein literary and artistic works done by African Americans gained in national attention and interest. Doors of opportunities were opened for such works to be publicized and presented to the general public, which before were not possible. Although its main achievement is found primarily in literature, it also bore the great African-American works in politics and other creative mediums such as visual art, music, and theater that explored different aspects of black American life (R. Twombly. â€Å"Harlem Renaissance†). II. Background and Discussion During the early part of the 1900s, Black Nationalism and racial consciousness began to emerge particularly during the 1920’s. One key factor that helped this development was the surfacing of the black middle class, which in turn were brought about by the increasing number of educated blacks who had found employment opportunities and a certain degree of economic advancement after the American Civil War (â€Å"Harlem Renaissance†). During World War I, thousands of black people left the depressed rural South for jobs in northern defense plants. Known as the Great Migration, more African Americans established themselves in cities such as Harlem, in New York City. They were socially conscious, and became a center of political and cultural development of the black Americans. This population created racial tensions over housings and employment that resulted in increased black militancy about rights, including vigorous agitation by the national Association for the Advancement of colored People (NAACP) and other civil rights organizations. Foremost for this black movement’s agenda, which was expressed in various mediums, is to clamor for racial equality. Championing the cause were black intellectuals W.E. B. Du Bois and Alain Locke. White responses to these developments were both negative and positive. The Ku Klux Klan and other white supremacist groups reached their peak of northern popularity during the 1920’s. At the same time unprecedented white interest in racial maters created a large audience for black authors who began to settle in the district of New York City known as Harlem. Like other black ghettoes, Harlem was a new, untapped source of themes and materials, which partially accounts for its popularity among artists and intellectuals, but unlike other ghettoes it was a newly constructed, fashionable, residential section. Functioning as a kind of black mecca, Harlem’s excellent housing, its prestige, excitement, and cosmopolitan flavor, attracted a black middle class from which sprang its artistic and literary set. A. General Characteristics Not all works during this movement is militant in nature. However, participants and contributors in the Renaissance were intensely race-conscious, proud of their heritage of being black, and much in love with their community. Most of them, some more subtly than others, criticized racial exploitation. Partly as a tribute to their achievements and partly as a reflection of their racial self-awareness, the Renaissance members were collectively called â€Å"New Negroes†, also indicating that they had replaced the (largely white created) literary image of the comic, pathetic plantation Negro with the proud, busy, independent black man of the northern city. The â€Å"New Negroes† were generally integrationists, optimistically interpreting their own individual successes as harbingers of improvement in race relations. Acceptance from Harpers, Harcourt, Brace, Viking, Boni & Livewright, Knopf, and other front-line publishers began coming through quick succession, boosting more optimism among African-American contributors of the Harlem Renaissance. Rather than depicting a new movement of style, the art during the Harlem Renaissance is united by their common aspiration of depicting and expressing in artistic form the African-American psyche and life. Common characteristics can be found among such works such as the birth of racial pride among black Americans. This called for tracing its roots and origin by taking attention and interest to the life of blacks primarily in Africa and South America. Also, such strong social and racial consciousness brought a strong desire for equality in the American society, both socially and politically. But one of the most common and significant characteristic of the Harlem Renaissance was the abundant production of a variety of creative expressions. Diversity was the main distinctive quality, brought about by an experimental spirit of the movement such as in music which ranged from blues, jazz, to orchestra music. B. Primary Artist of the Harlem Renaissance:   Aaron Douglas (1898-1979) The celebrated artist of the Harlem Renaissance was Aaron Douglas, who chose to depict the New Negro Movement through African images which bore â€Å"primitive† techniques: paintings in geometric shapes, flat, and rugged edges. In his works, Douglas wanted the viewers to know and recognize the African-American identity. As such, Aaron Douglas is often referred to as the â€Å"Father of African American Art†. Born in Topeka, Kansas, Douglas was able to finish his B.A degree. Moving to Harlem in 1925, Aaron immediately set to work, creating illustrations for prominent magazines of the Harlem Renaissance. Douglas was influenced in his modernist style under the tutelage of German artist Winold Reiss, a style which marked most of his celebrated works and incorporating both African and Egyptian strokes of illustration and design. It was Reis who encouraged Douglas to take African design into his works which became his trademark (â€Å"The Harlem Renaissance: Aaron Douglas†). Such manner of African â€Å"primitive† style caught the attention of the main proponents of the Harlem Renaissance, namely W.E.B. Dubois and Alain Locke who found Douglas’ works as an appropriate embodiment of the African-American heritage. They were encouraging young artists to depict their African legacy through their artworks. Even though at a time when DuBois stilled considered Henry Tanner more important, Douglas has fairly established a reputation as the leading visual artist of his time. Harlem Renaissance painters are united by the desire to promote and portray the life and condition of blacks, particularly African-Americans. However, at this point the similarity ends. Harlem Renaissance artworks are as varied in style as the artists themselves. Although like Douglas, most painters of this period received formal trainings and as such, their style and strokes are no different from other non-black artists. What only separate the artists of the Harlem Renaissance from others are their themes and subjects. III. Conclusion A. Ending and Significance As a conclusion, one of the strengths of the Harlem Renaissance was also a serious weakness. Because they were dependent on white patrons and viewers for popularity, black artists were not fully free to explore the mechanisms that perpetrated racial injustice, nor could they propose solutions unacceptable to whites. Furthermore, when the Great Depression dominated American life during the 1930’s, the whites, who had been the bulk of the Renaissance audience, concentrated on economics and politics, oblivious to black American suffering. American arts and letters took up new themes, and although the best artists continued to work, they ultimately lost popularity. The Great Depression drove many black artists to scatter; and were mostly forced to leave New York or to take other jobs to tide them over the hard times. Creativity was drowned by necessity. Nevertheless, despite its many weaknesses and disadvantages, the Harlem Renaissance was a milestone in black American culture and the basis for later achievements.

Sunday, January 5, 2020

The s Perspective On Hiv Essay - 882 Words

Epidemiologist Perspective on HIV Epidemiologist: This role involves learning about the pattern and incidence of how the disease is transmitted and works to help find community prevention solutions. The portals of entry for HIV: skin via Injection or trauma, mucous membranes of mouth, penis, vagina and rectum during sexual activity, placenta to child during pregnancy. Portals of exit: blood, semen, pre-ejaculate, vaginal secretions and breast milk. Reservoirs: human blood, semen and vaginal secretions. The mode(s) of transmission: unprotected sex exposing mucous membranes to infected fluids, injection using contaminated needle, infusion from contaminated blood transfusion, accidental prick from contaminated needle, having an open wound come into contact with infected blood; virus passing from mother to baby through placenta, to baby through breast milk, or via interaction with vaginal secretions during birth. However HIV cannot be transmitted through saliva, tears or urine (Merck Man ual, 2003). The most recent outbreak of increased HIV infection was in eastern European countries such as Greece and Bulgaria in 2011. Now that donated blood is heavily screened and many pregnant women are given anti-retroviral drugs to decrease chances of passing HIV to fetuses; the highest risk group for contracting HIV outside sub-Sahara Africa are injected drug users who share needles. Almost 15% of the 12 million worldwide drug users have contracted HIV. The highest prevalence of HIVShow MoreRelatedAfrican American Women Living With Hiv Aids1576 Words   |  7 PagesRunning Head: AFRICAN AMERICAN WOMEN LIVING WITH HIV AIDS 1 AFRICAN AMERICAN WOMEN LIVING WITH HIV AIDS 9 African American Women Living with HIV/AIDS Ruth Dionne Davis SCWK 620 Winthrop University Department of Social Work Abstract HIV/AIDS is a major concern in the African American community. 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Pain is associated with the physical distress of the patient, suffering is culturally distinctive, it describes the affliction of the human spirit and how community members cope with it.Read MoreWhy Is Hiv Disease A Pandemic?1061 Words   |  5 PagesWhy must you always spell HIV and AIDS in capital letters? You must always spell HIV and AIDS in capital letters because they are acronyms. *slide 3 Why is HIV disease a pandemic? HIV disease is a pandemic because it crosses all borders, cultures, races, etc. Also, it occurs over a wide geographic area. *slide 4 In HIV-1 s family tree, how many groups are there? Name them. What group was added in slide 8? [4pts] What appears to be the favorite chimpanzee monkey food? [2pts] What is it aboutRead MoreInformational Brochure Paper on Anti Retroviral Therapy639 Words   |  3 Pagesidentical to the strands in the initial viron. 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[2] The region most recent outbreak is In 2005, Sub-Saharan Africa. An estimated 22.9 million of HIV cases and 1.2 million